That said, other characters in the film are relegated to small roles - pitstops along the way as Judy and Nick bounce from one corner of Zootopia to the next. To than end, Zootopia takes tried-and-true buddy cop tropes and injects a fresh layer of conflict - playing up underlying tensions between predators (such as Nick) and prey (like Judy) in the city to reinforce the film's message of tolerance. As a result, there are plenty of opportunities for the filmmakers to wind their characters up and watch the sparks fly. Judy is an uptight but well-intentioned overachiever that inspires her friends to greatness and Nick is a laid back smooth-talker who, in spite of a good heart, still has a mischievous side. Thanks to nuanced parallels in Judy as well as Nick's individual backstories, Zootopia succeeds in highlighting juxtapositions that further develop and compliment each character.Īs in any good buddy duo film, neither hero is stronger or more developed than the other - allowing Judy and Nick to play off their respective idiosyncrasies in equal measure. The reluctant friendship and subsequent banter between Judy Hopps and Nick Wilde serves as an engaging narrative backbone - punctuated by witty callbacks and clever character dynamics throughout (not to mention solid voice acting work from Ginnifer Goodwin and Jason Bateman). Underneath its colorful animals characters, Bush, Howard, and Moore have delivered a treatise on fear of outsiders and "the other" as well as the nagging prejudices that plague even the most open-minded of people (and fictional anthropomorphs).īased on those achievements, some moviegoers might worry that Zootopia is saddled by heavy-handed social-commentary, but Disney's latest animated offering moves at a lively pace and can be appreciated on multiple levels. It could sound aggrandizing to suggest that a CGI animated film about a tie-wearing fox and a law enforcing rabbit, fighting crime in a city full of anthropomorphic animals, is one of the most socially progressive films in recent memory but Zootopia is deserving of the claim. ZOOTOPIA – NICK WILDE, the scamming fox who Judy reluctantly teams up with to crack her first case. Alongside clever bits that poke fun at the real world (such as a laugh-out-loud scene at the DMV - Department of Mammal Vehicles), Zootopia is, at its core, a cautionary tale of prejudice, discrimination, and overt xenophobia - arriving at a time when the world might need a reminder on the subject. Unlike lesser CGI animated films, which might lean hard on of-the-moment memes for cheap laughs, Zootopia is a timeless allegory - one that magnifies the features and, more importantly, the troubles of human society through a fictional mammalian civilization. Viewers, young and old, will relish in the Zootopia world - which features a clever mix of archetypal Disney tropes blended with pop culture references. Poignant storytelling, vibrant animation, and memorable heroes produce an imaginative throwback to classic Disney animation for modern moviegoers. Fortunately, the more the merrier, as Bush, Howard, and Moore assembled a quality animated picture together: Zootopia is filled with lovable characters and a heartfelt message for kids - along with a layered subtext for adults that is both timely and moving. Brought to life by Walt Disney Animation Studios (the branch of Disney that is, most recently, responsible for Frozen and Big Hero 6), Zootopia was originally scripted by Jared Bush before collaborators Byron Howard ( Tangled) and Rich Moore ( Wreck-It Ralph) joined the project as co-directors.
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